Lyndsey McKenna

Though useful, the blog-era identifier "RIYL" can feel reductive: Consider the case of Restorations. Over the course of its catalog, it's become evident that Restorations' output is more than the sum its parts, with cathartic choruses, gratuitous guitars and honest admissions of anxiety declared at decibels that reach the rafters.

Illuminati Hotties, aka L.A.'s Sarah Tudzin, seems plagued by the past on "Cuff." But over a chorus of explosive guitars, backed by simple, steady drum programming, she settles on a solution: "I cuff my T-shirt sleeve / and grit my teeth / How else can I tell myself I can do most anything?"

Take out the trash and cut the crap: That's Margo Price's advice on "Leftovers," a new track from the East Nashville singer-songwriter. "Leftovers" is the first release from Amazon Music's new Produced By series aimed at shining a light on prominent producers.

The roséwave lifestyle may be loose and laid back, it's not lethargic. After all, it takes stamina to keep up your social calendar in the summer months. You need endurance to power through fall marathon training and never-ending rooftop happy hours.

Newport Folk Festival's setting on Rhode Island's historic Fort Adams offers a panoramic view of the picturesque Narragansett Bay and the Claiborne Pell Bridge. Though a steamy summer fog hung over the Fort Stage hindering visibility as Tiny Desk Contest winner Fantastic Negrito, a.k.a.

If you've written off women's wrestling, you're missing out.

Patience is tricky: there's power in being slow to anger until you're perceived as a pushover. Illuminati Hotties, the self-described "tenderpunk" project of L.A. producer-engineer Sarah Tudzin, recognizes the predicament. "Often I have wished that I was a little less patient and a little more aggressive about being heard," Tudzin tells NPR Music.

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