Martha Anne Toll
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                        Scholar, historian, artist and raconteur Nell Irvin Painter is the author of The History of White People and Old in Art School. Her latest book is an insightful addition to her canon.
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                        In Uchenna Awoke’s debut novel, we come to understand that 15-year-old Dimkpa’s choices are painfully constricted by the caste system into which he was born.
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                        In writer Tanja Maljartschuk's novel, the narrator's malaise and weakening attachment to time serve as a metaphor for today's Ukraine, as well as for other struggling democracies, including our own.
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                        The reporter's memoir takes readers on a jaunt through her captivating life and career, nose for the jugular, forthrightness about her joys and sorrows — and the history of women in the workplace.
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                        Jori Lewis tells eye-opening stories of individuals despite scant historical record. At the outset she asks: "How do we tell the stories of people that history forgets and the present avoids?"
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                        Marguerite Duras' never-before-translated debut novel The Impudent Ones, first published in 1943, isn't a pleasant read — but it is a signpost to what she would later achieve with The Lover.
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                        Journalist Matthew Gavin Frank exposes the history of South Africa's nefarious diamond industry, accompanied by a tale of pigeons and their role in subversion, in crisp and poetic prose.
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                        Historian Janice P. Nimura tells the story of America's first and third certified women doctors and the role these sisters played in building medical institutions.
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                        Journalist Delphine Minoui tells the true tale of a young man who refused to escape the terrors of Assad's regime in Syria, instead working with friends to make a library — a beacon of hope.
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                        Bowling Alone author Robert Putnam joins with Shaylyn Romney Garrett to form thethesis that America's Gilded Age shows remarkable similarity to today — with a societal focus on "I" rather than "we."
 
 
 
 
 
 
 
 
 
 
