Lars Gotrich

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The Highwaymen had "Highwayman," a song about outlaws sung by the outlaws of country music.

When Denzel Curry spits bars over a particularly decibel-shattering beat, there's a command of noise. The Miami rapper lives both inside and out of the mayhem ("Ricky," "Black Metal Terrorist"), but is just as comfortable revealing his soul ("Speedboat," "Clout Cobain") in productions and performances simultaneously hard and melodic. He's starting to come into his own as a rap chameleon, but lately he's been teasing another transformation as a shape-shifting rock frontperson.

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For reasons unknown, Chris Gaines is having a moment.

Have you ever had a roommate sell your stuff while you were on vacation? But instead of a ratty couch that won't nearly pay rent, it's super-intimate letters and recordings that you'd never want anyone to read or hear, like, ever? Madonna feels your pain.

Nearly 40 years into their career, The Flaming Lips remain remarkably ageless and endlessly creative. They return this week with another heady, psychedelic pop record inspired by a surreal art installation by frontman Wayne Coyne. On this week's New Music Friday, we climb inside the band's kaleidoscopic new record, The King's Mouth.

Miranda Lambert really knows how to announce a new single. For "It All Comes Out in the Wash" — a cute-as-hell country bop that reminds us that "hard times do eventually pass," as she put it in a press release — Lambert filmed her shirtless husband doing laundry. You know, as one does.

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An industrial beat clangs as a low drone hums.

Stream: Spotify, Apple Music.

Updated July 23, 2019: This is weekly, updated playlist. So if you missed one, especially a themed playlist, just hit me up on Twitter and I'll hook it up.

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When you have a voice like Brittany Howard, just about anybody looks good singing along.

On the edges and sometimes in the center of Jenny Hval's provocative avant-pop music, there's always been a bold vulnerability. The Norwegian musician constantly pushes the form, herself and her audience to examine complacency and identity, culminating in 2016's noisy, synth-driven Blood Bitch.

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