Neda Ulaby

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MARY LOUISE KELLY, HOST:

And now a sound we hear a lot during the winter.

AILSA CHANG, HOST:

(Coughing).

Walters Sports Bar is a gleaming new pub just blocks from the largest stadium in Washington, D.C. The decor is industrial chic — exposed ducts and poured concrete floors — and it's spacious enough to accommodate the enormous throngs of elated fans who crowded in after the Washington Nationals' recent World Series win.

On a recent night, the bar was quieter. Still, customer after customer strode up to a stainless steel wall lined with beer taps to insert a card, touch a screen and pour a glass of self-serve beer.

No waitstaff. No waiting.

The South Korean movie Parasite, a tale of the rich Park family and the poor Kim family, is an international sensation — partly because of universal themes like the conflict between haves and have-nots. But certain elements of Parasite are specifically South Korean, including its architecture.

Robert Evans – the once vice president of production at Paramount who was responsible for critically acclaimed films such as The Godfather parts 1 and 2, Chinatown, and Serpico – died Saturday at the age of 89.

While Evans was known for his string of '70s cinema hits, he was also convicted of cocaine possession in 1980. He detailed his own rise and fall in the industry in his 1994 memoir The Kid Stays in the Picture.

How mainstream is horror today? Frighteningly mainstream. Let's just look at some of the biggest smash hits recently on television and streaming video: Shows like Stranger Things, American Horror Story and The Walking Dead all fit into to this once-maligned genre.

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LULU GARCIA-NAVARRO, HOST:

Harold Bloom was a rarity: a best-selling and widely known literary critic. Affectionately dubbed the "King Kong" of criticism, Bloom died Monday at the age of 89, at a hospital in New Haven, Conn., according to his wife,

Over a redoubtable career, Bloom wrote scores of books, edited hundreds more and irritated innumerable intellectuals by arguing, for example, for the superiority of Western literary traditions.

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NOEL KING, HOST:

Fifty years ago this week, a perfect family appeared on television.

(SOUNDBITE OF TV SHOW, "THE BRADY BUNCH")

UNIDENTIFIED ACTORS: (As characters, singing) Here's the story of a lovely lady...

When is it wrong to show cigarette smoking on television, but OK to depict people smoking cannabis products, particularly in programming popular among young teenagers?

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DAVID GREENE, HOST:

All right, now let's listen to a sound that is as old as dirt.

(SOUNDBITE OF AMBIENT HUM)

It's a genre known for screaming matches, hot-tub hookups and contestants who are there to win, not to make friends. But as of late, reality television has taken a kinder, gentler turn.

More artists are telling the Whitney Museum of American Art they are withdrawing from the museum's high-profile Biennial contemporary art showcase currently underway in New York.

"It was a really easy decision," says artist Nicholas Galanin, who spoke by phone from Alaska, where he lives. Along with three other artists, he told the Whitney on Friday that he wanted his multimedia work pulled from the show.

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STEVE INSKEEP, HOST:

The funny, freckled face of Alfred E. Neuman is more or less retiring.

One of the last widely circulated print satirical magazines in America will leave newsstands after this year, according to sources at DC Comics, which publishes MAD magazine.

While the Harvard Lampoon remains in business, The Onion hasn't been in print since 2013. The once-influential Spy was a casualty of the 1990s.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.


There's a certain kind of song you just want to crank up after a bad breakup or a rough day at work. In 1963, a young singer renowned for a hit about getting ditched at a party unleashed just such an anthem.

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