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The Massachusetts senator now occupies an awkward middle ground in the presidential race. She has a large and enthusiastic base but hasn't been able to present a real challenge to the front-runners.

The NCAA may soon find itself in competition with another collegiate league, and some professional teams — the New York Knicks and the Oakland A's — are on a winning streak.

A summer classic, cancelled due to the pandemic last year is back as the delta variant takes hold. The Iowa State Fair boasts crowds topping 100,000 people but just 62% of Iowa adults are vaccinated.

After her a hearing on Thursday, it's unclear if President Biden's controversial pick to be the nation's top bank regulator has enough votes to be confirmed.

The Philippines is seeing an unprecedented political tie-up with two of the country's highest profile dynasties — the Marcos and Duterte's — running for the top jobs in next year's election.

President Biden acknowledged in a statement Thursday night that his spending agenda will be delayed well beyond a hoped-for Christmas vote in the Senate and now may take "days and weeks" to complete.

More has been revealed more about the police response to last month's school shooting in Uvalde. A top law enforcement official called it an "abject failure" and laid out mistakes made the day.

NPR speaks with Sydney Freedberg, chief reporter at ICIJ, about the key takeaways from her investigation into the chaotic, aggressive tactics used by Uber as it made a bid for global domination.

The former executive editor of The New York Times, A.M. Rosenthal, dies of a stroke at the age of 84. The Pulitzer-winning reporter left his mark on the paper as its top editor. He also influenced the way journalism is practiced.

Desperate Networks, a new book exploring the inner workings of the television industry, follows the sagas of top executives at the major networks through a traditional fall season. New York Times reporter Bill Carter describes the highs — the hit show Desperate Housewives, for example — to the lows, which is almost everything else on TV. The Hollywood Reporter television critic Andrew Wallenstein has a review.