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  • A train that runs between Seattle and Chicago had about 160 onboard when it ran off the track Saturday afternoon in Joplin, Mont, the train agency said. Multiple people are injured.
  • Diana Evans' novel follows two couples — 30-something Londoners — as they navigate friendship, relationships and parenthood. The goal, she says, was to write "about very ordinary moments."
  • NPR's Ayesha Rascoe talks to Brakkton Booker, a national political correspondent for Politico, about the recent rise of people of color in Republican Party ranks and the reasons behind it.
  • Gluten is everywhere, from pizza, bread and ketchup to ice cream and prescription drugs. A small percentage of Americans can't tolerate the wheat protein, which has a gluey nature. But more people are dropping gluten from their diet to see if it cures what ails them.
  • Hundreds of people in South Florida are in shelters after historic flooding this week. They worry about their homes and the messy clean-up ahead.
  • At the age of 59, the British science-fiction writer was diagnosed with a form of Alzheimer's. Now he's publishing an edited version of a book he first wrote when he was 17. He can't read because of his disease, but Pratchett continues writing — with the help of dictation software.
  • Another winter storm roared through the U.S., grounding flights and shutting down schools and offices from the South through the Mid-Atlantic. Many are getting sick of the winter wonderland.
  • A new report by the CDC finds that death rates by suicide have increased for 10-to-24 year-olds between 2007 and 2017.
  • Attorney General Eric Holder says the war on drugs failed to stop demand and decimated black communities. Host Rachel Martin talks to University of California Santa Cruz sociology professor Craig Reinerman about drug policy since the 1970s.
  • After filmmakers, actors, or musicians are accused of sexual assault or other misdeeds, how should we think about their work? NPR's Ari Shapiro talks with author Claire Dederer, who considers the question in an essay for The Paris Review: "What Do We Do with the Art of Monstrous Men?"
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