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  • On Friday, the Syrian government evacuated the last of the rebel fighters from Homs, following a cease-fire agreement. NPR's Arun Rath speaks with Nabih Bulos, a special correspondent for the Los Angeles Times.
  • As presidential candidates talk about deporting or legalizing the 11 million unauthorized immigrants in the U.S, we hear what it means for American citizens whose spouses or parents are undocumented.
  • We'd all rather work with our dogs, wouldn't we? More employers are allowing pets on the job, although sometimes that entails navigating a different kind of office politics.
  • Tambor plays a transgender woman in Amazon show. "It's a perfect role," he says. "... I thought I was gonna do Lear, but I'm gonna do Maura." Transparent's third season comes out on Friday.
  • David Greene talks to NPR's Guy Raz about the latest episode of the new podcast, "How I Built This." In that episode, Raz talks to Cathy Hughes, who built a broadcasting empire from scratch.
  • Whether for philosophical or health reasons, pet owners are whipping up batches of pet food for their beloved animals. But veterinarians warn that these meals need to be nutritionally balanced.
  • Alfredo Corchado has a complicated relationship with Mexico. He was born there, but became a U.S. citizen. He's returned to Mexico to report on the country's drug violence and corruption, earning multiple death threats. Now he's written about his experience in Midnight in Mexico: A Reporter's Journey Through a Country's Descent into Darkness.
  • There was a time when many thought the Internet was beyond government regulation, its very chaos a source of creativity and strength. Nate Anderson's The Internet Police looks at how law enforcement went about changing that.
  • Every two years, Venice hosts the largest and oldest noncommercial art exhibit in the world. It's a dizzying and eclectic array of sights by both celebrity artists and total unknowns. More than 150 artists from 88 countries will be on display through November.
  • The firestorm kicked off by a New York Times analysis of TV's most successful black female showrunner mostly highlights how some struggle to handle new voices taking over the cultural conversation.
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