Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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In this delightful sequel, Jessie the cowgirl teams up with Buzz Lightyear and Woody to fend off the rise of digital devices, which are taking over the minds and attention spans of kids everywhere.
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Spielberg's new thriller centers on a massive U.S. conspiracy to hide the fact that aliens have been visiting Earth for decades. If anything, though, the movie's pleasures feel more retro than timely.
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Backrooms, by 20-year-old filmmaker Kane Parsons, is set in a mysterious maze of abandoned offices. Curry Barker, 26, tells a horror story about consent and male loneliness in Obsession.
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Though the 2026 festival featured less Hollywood razzle-dazzle than in years past, there were still plenty of great films. Most notable: All of a Sudden, from the Japanese director Ryûsuke Hamaguchi.
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A new art-house drama tells three stories that span the century — and connect to one tree. Silent Friend will open your eyes to the beauty of the natural world.
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Sophy Romvari's semi-autobiographical drama touches on her childhood in British Columbia and her family's experience of tragedy. Blue Heron has won numerous prizes at international film festivals.
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In Steven Soderbergh's new dark comedy, Ian McKellen plays a famous painter, and Michaela Coel is an art restorer hired to infiltrate his home by his greedy grown-up children.
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Robert Pattinson and Zendaya play an engaged couple whose happiness is derailed when a boozy game of "What's the Worst Thing You've Ever Done?" uncovers a dark secret from the past.
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After the sudden death of her boyfriend, a young Berlin woman is taken in by a family she meets in the countryside. In showing the ache of love and loss, Miroirs No. 3 holds up a mirror to us all.
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Ryan Gosling plays an astronaut in this derivative, carefully manufactured crowd-pleaser; Project Hail Mary doesn't feel like storytelling so much as mechanical engineering.